Type | List | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Johann Sebastian Bach's Orgelbüchlein: The evolution and features of published editions. |
OrganistsReview |
100 | 1 | Mar 2014 |
40-46 |
|
| 2. | The complete Bach. |
OrganistsReview |
103 | 1 | Mar 2017 |
20-21 |
|
| 3. | Who wrote BWV 565, the toccata and fugue in D minor? And why? |
OrganistsReview |
103 | 3 | Sep 2017 |
30-37 |
|
| 4. | German Lutheran choirs of Bach's time: Their constitution, performance practice and repertoire. |
OrganistsReview |
58 | [2]: 230 | Apr 1973 |
13-15 |
|
| 5. | Some Aspects of Playing Bach: Margaret Philipps' Lecture at NOTES Manchester Launch Seminar (summary). |
OrganistsReview |
78 | 3 | 1992 |
209-211 |
|
| 6. | A Question of Style. |
OrganistsReview |
81 | 2 | 1995 |
103 |
|
| 7. | My fascination with the sources. I. |
OrganistsReview |
86 | 1:337 | Feb 2000 |
64-68 |
|
| 8. | My fascination with the sources. II. |
OrganistsReview |
86 | 2:338 | May 2000 |
164-169 |
|
| 9. | Widor, Bach and the organ. |
OrganistsReview |
86 | 3: 339 | Aug 2000 |
215-217 |
|
| 10. | Spirituality and symbolism in the music of J S Bach. (Part 1) |
OrganistsReview |
86 | 3: 339 | Aug 2000 |
222-225 |
|
| 11. | My fascination with the sources. III. |
OrganistsReview |
86 | 3:339 | Aug 2000 |
264-267 |
|
| 12. | The Interpretation of the Bach-Vivaldi Concertos. [BWV 593, 594, and 596] |
OrganistsReview |
86 | 4: 340 | Nov 2000 |
312, 314-316 |
|
| 13. | Spirituality and symbolism in the music of J S Bach - Part 2. |
OrganistsReview |
86 | 4: 340 | Nov 2000 |
331-335 |
|
| 14. | The International Organ Competition, Leipzig, July 2000. |
OrganistsReview |
86 | 4: 340 | Nov 2000 |
336-337 |
|
| 15. | Thoughts on the performance of Bach's chorale prelude 'O Mensch, bewein dein Sünde gross'. |
OrganistsReview |
87 | 1: 341 | Feb 2001 |
36-37 |
|
| 16. | Phrasing in relation to Bach's prosody in his Cantatas. Harmonic rhythm. A contribution to Bach's organ music performance. |
OrganistsReview |
87 | 2: 342 | May 2001 |
134, 136-137 |
|
| 17. | 'His position is next to Bach himself'. Josef Rheinberger 1839-1901. |
OrganistsReview |
87 | 4: 344 | Nov 2001 |
315-319 |
|
| 18. | More than meets the eye: slurs and metrical ambiguities in Bach's Prelude and Fugue in E-flat (BWV 552). |
OrganistsReview |
89 | 1: 349 | Feb 2003 |
18-21 |
|
| 19. | Start from here! ~ 2. Meisterstück ~ play Bach at the Thomaskirche. Leipzig, St. Thomas, Bach-Orgel. Gerald Woehl (Marburg), 2000, IV/61, Glockenspiel. |
OrganistsReview |
89 | 2: 350 | May 2003 |
164-165, 167-168 |
|
| 20. | The blindness of J S Bach and G F Handel. 'A nugget of Norwich 'nowledge'. |
OrganistsReview |
89 | 4: 352 | Nov 2003 |
336-337 |
|
| 21. | The lesser-known contemporaries of J. S. Bach. |
OrganistsReview |
92 | 4 | 2006 |
7-13 |
|
| 22. | Two siginficant Bach pupils. |
OrganistsReview |
92 | 4 | 2006 |
15-23 |
|
| 23. | Johann Sebastian Bach's ideal organ. |
OrganistsReview |
94 | 2 | May 2008 |
7-13 |
|
| 24. | J. S. Bach's music for organ. |
OrganistsReview |
94 | 2 | May 2008 |
23-25, 27-29, 31 |
|
| 25. | Mendelssohn's six sonatas for organ: The case for an influence from Bach's Clavierübung III. |
OrganistsReview |
95 | 1 | Feb 2009 |
15-19 |
|
| 26. | Coffee and chorale preludes: William Whitehead and the Orgelbüchlein Project. |
OrganistsReview |
98 | 2 | Jun 2012 |
20-21 |
|
| 27. | Barber as well as Bach? |
OrganistsReview |
99 | 4 | Dec 2013 |
36-37 |
|